Referencing the Child Ballad 'Jellon Grame' figures revolve around a tree in the silver wood where Jellon Grame killed his pregnant mistress.  Nine maids raised the child and they are all shown in this convergence of time.  The son killed Jellon Grame in this place, I chose to show him hung to death.
Pucker Fuss
Bartholomew Lynch
48 inches x 33 inches
oil on cotton canvas
2010
A short haired lady looks over her shoulder at the view as workers and shysters toil in the background.  Cliffs and gunners swirl in the background and foreground.
Chimi Churro
Bartholomew Lynch
36 inches x 24 inches
conte on white heavyweight cotton Rives/BFK
2010
A man crawls dangerously on the ground next to a bald woman who stares at herself in a pocket televisor
The Surprise of Boundless Temerity
Bartholomew Lynch
36 inches x 24 inches
conte on heavy-weight cotton paper
2010
Shaken Baby
Bartholomew Lynch
11 inches x 17 inches
graphite on medium-weight cotton paper
2008
A tight-rope walker stands above a whirlpool as his other self looks toward a person peering from the other side of a mirror.  Lady Liberty reveals her ruby red slippers as she topples amid destruction.
Crystal Castle
Bartholomew Lynch
33 inches x 42 inches
chalk on heavy-weight cotton
2005
A Preacher looks up towards a chicken flying in a cog-like aircraft.  A wrecking ball smashes a building on an island behind, while a vortex sucks in a mudslide.  Three workmen row in an inflatable raft in an overflow pond of a dam.  A highway soars overhead in front of a storm clouded sky.
Chicken Lifter
Bartholomew Lynch
42 inches x 24 inches
colored pencil, marker, ink on frosted acetate
2005
A couple stands in front of a firing line with a whirlwind of destruction behind them.  A dam and overpass are behind it all.
Goya Lifter
Bartholomew Lynch
22 inches x 16 inches
colored pencil, ink on frosted acetate
2005
A man rides a wrecking ball through a decaying, overgrown city.  An elevated train spins teacups and a security globe hangs above.
Strangelove Revisited
Bartholomew Lynch
24 inches x 42 inches
colored pencil on frosted acetate
2005
A hawkish man in a top hat offers a watch from the inside of his jacket.  A man seen from behind merges visually with a woman walking the opposite direction and a salesman hails a taxi in front of a street with a rose shop.
Not Quite the Montmarte
Bartholomew Lynch
32 inches x 40 inches
conte crayon on medium weight cotton paper
2004
Multiple paths start in the lower left and recede into space.  A woman walks away along one path.
Far and Away
Bartholomew Lynch
36 inches x 24 inches
colored pencil, ink, marker, watercolor 
2010
Value direction creates movement slowly from left to right.  Many different times blend together executed in desaturated colors.
Gum-Toothed Gonzo
Bartholomew Lynch
36 inches x 24 inches
watercolor, colored pencil, acrylic, ink on heavy-weight Rives/BFK
2010
White and Black lines support the definition of a shallow environment where clearing contains a hitching post in front of a terminal background.
Hitching Post
Bartholomew Lynch
24 inches x 36 inches
egg tempera, ink, pastel on hide glue sized gray heavy-weight Rives/BFK
2010
Brown, yellow, black, and white combine to show two people in conversation near a hole in the ground and a fallen tree.  A forest is behind them with a seated person in a balcony witnessing from above.
Jack of Diamonds
Bartholomew Lynch
36 inches x 24 inches
tempera, ink, sanguine on heavy-weight Rives/BFK
2010
A video game console explodes from left to right with a type of American flag.  The palette is light blue, orange, brown, and white.
Ms. Pac-Man America
Bartholomew Lynch
36 inches x 24 inches
egg tempera, sanguine on chip-board
2010
Black, white, and desaturated yellow, magenta, and orange define objects in a shallow space against a deep space.  A hockey puck, owl parts, and Ms. Pac Man characters emerge.
Ms. Pac-Man Night Party
Bartholomew Lynch
36 inches x 24 inches
ink, colored pencil on heavy-weight Rives/BFK
2010
A sneaky demon in pink and orange bites through the country side - a person jumps out of it's path.
Party Time
Bartholomew Lynch
36 inches x 24 inches
colored pencil, ink, marker on gray heavy-weight cotton paper
2010
A brown dog stands attentively in an environment of dense lines and shapes
Dog Gone It
Bartholomew Lynch
36 inches x 24 inches
conte, egg tempera, pastel on heavy-weight Rives/BFK
2009
A dense bundle of lines that form a quasi cave environment
Dots and Loops
Bartholomew Lynch
36 inches x 24 inches
conte, pastel on heavy-weight Rives/BFK
2009
Balls and spyholes form an x compositionally with a red sky behind an anthropromorphic landscape
SteppChilde
Bartholomew Lynch
34 inches x 22 inches
colored pencil, ink on light-weight tan woven paper
2008
Plinko
Bartholomew Lynch
11 inches x 17 inches
graphite on medium weight cotton paper
2008
a male and female chat in the foreground as a live saving donut swirls above them with a city upstream
Donut
Bartholomew Lynch
40 inches x 32 inches
ink, colored pencil on heavy-weight cotton
2006
An arching neck of a form grows from the bottom left and hangs toward the top right in front of a background of cooler colored marks.
Hairy Allen
Bartholomew Lynch
36 inches x 24 inches
colored pencil, ink on medium weight cotton paper
2006
A male and Female face hover above a cloud with a space craft in between them.  The colors are yellow, blue, red and grey.
Mothers and Fathers
Bartholomew Lynch
36 inches x 24 inches
colored pencil, marker, ink on medium weight cotton paper
2006
A vaguely recognizable face looks in profile to the left.
Open
Bartholomew Lynch
36 inches x 36 inches
colored pencil, ink on medium weight cotton paper
2006
A testicle is shot from left to right with fluid trailing behind.
Bypass
Bartholomew Lynch
36 inches x 24 inches
colored pencil, marker, ink on medium weight cotton paper
2006
A soupy swirl of of red white blue orange and yellow dominate the foreground.  Eyeballs, posts, and letters hold their shape in the chaos, and a city scene in the upper right corner comprises a tiny background.
Flag Waving
Bartholomew Lynch
36 inches x 24 inches
colored pencil, marker, ink on frosted acetate
2005
A turtle crosses railroad tracks that lead to an exploding body of water.  A rubbery line stretches around and jars lift off to the atmosphere.
Night Baseball
Bartholomew Lynch
78 inches x 36 inches
graphite on frosted acetate
2005
An earthly upheaval seperates the southwest and northwest.
Supai Shuffle
Bartholomew Lynch
36 inches x 24 inches
pastel on medium weight cotton paper
2005
Breakout
Bartholomew Lynch
30 inches x 39 inches
conte crayon on heavy-weight cotton paper
2004
Detour Dan
Bartholomew Lynch
30 inches x 40 inches
conte crayon on heavy-weight cotton paper
2004
Tree Fort
Bartholomew Lynch
32 inches x 32 inches
pastel on heavy-weight cotton paper
2004
Wake Up
Bartholomew Lynch
48 inches x 32 inches
pastel on heavy-weight cotton paper
2004
Lines whip across the page in a general grid structure, forming shapes and a shallow depth.
Accept Unknown
Bartholomew Lynch
10 inches x 8 inches
ink on 20# copy paper
2011
This is a scene where two people represented by line shape and patter have a conversation.  A middle area compresses two major forms symbolizing an exchange of information.
Blockworld
Bartholomew Lynch
10 inches x 8 inches
ink on 20# copy paper
2011
Dense forms on the left and right meet in a subtle suture in the middle.
Separate and Distinct
Bartholomew Lynch
10 inches x 8 inches
ink on 20# copy paper
2011
Lines create a dense, multidimensional landscape that is shown in bas relief from a off-centered angle
Personal Clutter
Bartholomew Lynch
10 inches x 8 inches
ink on 20# copy paper
2011
These lines and shapes abstractly illustrate the transition from child to adult.  This portrait oriented piece shows two shapes connected but different.  The rounded shapes and patterns on the bottom support an angular design shape above.
Pre-Post Adolescence
Bartholomew Lynch
8 inches x 10 inches
ink on 20# copy paper
2011
Two organic shapes relate to each other and the picture plane.  One shape attaches to the background and forms a type of nest, and the other expells to the foreground from a vaguely animal form.
Roots and Nests
Bartholomew Lynch
10 inches x 8 inches
ink on 20# copy paper
2011
A lady sits on a tree stump and reaches over her shoulder to grab the branch of a neihboring tree.  A man kneels around the back of that tree to get a view of her.  Another man crouches at another tree, and a horse and rider gallop with a dog in the background near a city.  A hose or cable loops in the foreground.
Persephone in the Pines
Bartholomew Lynch
36 inches x 24 inches
egg tempera, pastel on heavy-weight Rives/BFK
2010
One figure sits in a lounge chair at the base of a tall pine tree.  The other figure approaches from behind the tree with a casket in tow.  The elements sit in a foggy field of white and black marks.
Defense
Bartholomew Lynch
24 inches x 36 inches
egg tempera, ink, pastel, acrylic on Heavy-weight Rives/BFK
2009
Persephone My Little Pony
Bartholomew Lynch
10 inches x 8 inches
water soluble colored pencil, colored pencil on frosted acetate
2009
Persephone Bones
Bartholomew Lynch
8 inches x 8 inches
ink on frosted acetate
2009
Centrally composed with black lines and ominous red in the sky, a female reclines against a tree that a man peers from behind.
Persephone Cans Kicked Recto
Bartholomew Lynch
9 inches x 7.5 inches
ink, colored pencil on frosted acetate
2008
A gate in the bottom right hand corner leads the view of a curled female near a tree, and a male peers from behind.  Set in an open field landscape with a Hardee's sign in the distance.
Persephone Cans Kicked Verso
Bartholomew Lynch
9 inches x 7.5 inches
ink, colored pencil, marker on frosted acetate
2008
Seen from above, a female lays near the base of a tree while a kneeling man in a white sleeveles shirt presents a bundle to her.  A purple floating head is in the bottom right corner and a blue skull above that.  The left side is framed with embryonic marks and words "Make a Mark" and "Hairy Allen Media Assassin".
Persephone Discomfort Recto
Bartholomew Lynch
9 inches x 7.5 inches
ink, colored pencil, marker on frosted acetate
2008
A female lays in the center with a man presenting a bundle and a boner.  She is inbetween wake and sleep and her head is at the top of the frame near the base of a tree.  Floating heads and words fill the left and right sides respectively.
Persephone Discomfort Verso
Bartholomew Lynch
9 inches x 7.5 inches
ink, colored pencil, marker on frosted acetate
2008
A startle female begins to flee from her place of rest at the base of tree, scared by a little boy behind the tree.  A priest leans against the tree looking up and a shirtless man walks in on it all wearing a tall crown and running shoes.
Persephone Permanent Record Recto
Bartholomew Lynch
9 inches x 7.5 inches
ink, colored pencil, marker on frosted acetate
2008
A startle female begins to flee from her place of rest at the base of tree, scared by a man in a bear suit lookig both towards and away from the female.  A praying priest leans against the tree gazing down, and a shirtless man rushes into the party from a red region.
Persephone Permanent Record Verso
Bartholomew Lynch
9 inches x 7.5 inches
ink, colored pencil, marker on frosted acetate
2008
Among other things, this image deals with a childhood neighbor who was hit by a truck after crossing the road to get a pinecone as antidote for a fabricated disease.
Defender
Bartholomew Lynch
12 feet x 8 feet
oil on cotton canvas
2008
Schematics drawings of a yurt interrupta firey red hellish scene of people using others and more watching.  An explosion of line from bottom to top is surmounted by a female seen from below. On the right side, cooler blues and hovering owl eyes warn as a female walks away with a glass of wine.
Interlude
Bartholomew Lynch
48 inches x 32 inches
colored pencil, marker, ink on paper
2008
A beaked standing figure curling his gaze back to the view
Melvin
Bartholomew Lynch
24 inches x 60 inches
oil on cotton canvas
2008
Vieled behind steel meshing a large folded drawing hides in a crate.  Polka dotted colummns visually support an arched orizontal stick of reclaimed wood.
Sacrifice
Bartholomew Lynch
40 inches x 62 inches x 6 inches
sculpture 
2008
This portrait of me was started by Jessi Wohl.  A bandana around my hair and an affixed veil cover most of the head.  The background has an X composition and the neck is chopped a bit - that's about how I felt.  William Beckman's piece floats to the right.  This piece has another piece on the reverse side without a veil
Double Portrait with Jessica Wohl
Bartholomew Lynch
36 inches x 24 inches
colored pencil, marker, ink on 16 lb. drafting vellum
2007
Drawn hands and arms come from the top right and bottom left to grasp blue rods behind 5 chair dowells mounted horizontally into vertical wood borders.
Grasp
Bartholomew Lynch
20 inches x 36 inches x 3 inches
wood, colored pencil 
2007
Yellows and Reds offset with blue.  This ones about messing up and paying the price
Hopped in the Chone
Bartholomew Lynch
24 inches x 36 inches
pastel on tan Rives/BFK
2007
Many holes exist in their own time and space.  Carved through the plywood and ground down jar bottom hangs on.  Letters hover in the space of worlds.
Rabbits' Holes
Bartholomew Lynch
36 inches x 24 inches
oil, acrylic on paper
2007
Zanzinger did bad, right Bob?
Zanzinger
Bartholomew Lynch
36 inches x 24 inches
colored pencil, marker on frosted acetate
2007
Slashes of black ink arch around the center where a small group of people stand on a rooftop.  A black bird and white ground are in the foreground.
Flood
Bartholomew Lynch
36 inches x 24 inches
colored pencil, marker, ink on frosted acetate under 2-part resin
2006
Green Street Desert
Bartholomew Lynch
20 inches x 14 inches
lithograph on light-weight cotton paper
2008
Lines
Bartholomew Lynch
20 inches x 14 inches
lithograph on light-weight cotton paper
2008
In an attic of a barn, an aproned woman and a couple look down on wooden planks where a hammer rests near a cracked egg.  Grouped behind, people gather around a lady with chicken feet.
Which Came First
Bartholomew Lynch
8 inches x 10 inches
intaglio, monotype on Rives/BFK
2004
10 oz.
Bartholomew Lynch
8 inches x 10 inches
monotype on light-weight cotton paper
2003
Tall Glass
Bartholomew Lynch
8 inches x 10 inches
monotype on light-weight cotton paper
2003
Palo Verde
Bartholomew Lynch
6 inches x 8 inches
intaglio on medium weight cotton paper
2001
Banders After Hours
Bartholomew Lynch
6 inches x 4 inches
intaglio on medium-weight cotton paper
1999
Two Forces
Bartholomew Lynch
6 inches x 14 inches
intaglio on medium-weight cotton paper
1998
Inter-Ex
Bartholomew Lynch
10 inches x 6 inches
intaglio on medium-weight cotton paper
1998
Misguided Angel
Bartholomew Lynch
16 inches x 10 inches
intaglio on medium-weight cotton paper
1997
Last Laugh
Bartholomew Lynch
6 inches x 9 inches
intaglio on medium-weight cotton paper
1996
Faithful Servant
Bartholomew Lynch
18 inches x 24 inches
lithograph on Lana cover
1996
Different Drummer
Bartholomew Lynch
6 inches x 8 inches
intaglio on medium-weight cotton paper
1995

Bartholomew Lynch
24 inches x 18 inches
Lithograph on Lana Cover
1995
2 plastic skeletons, one upright in the midround and one prone in the foreground, are surrrounded by sketching students.  Anatomical references point out landmarks on the upright skeleton.
Skeletal Study
Bartholomew Lynch
24 inches x 40 inches
egg tempera, pastel, conte on chip-board
2010
Nine hand maidens are spread around a large oak tree where Jellon Grame hangs for his deed.  His mistress lays at the base of the tree.
Pucker Fuss Preperatory Drawing
Bartholomew Lynch
33 inches x 22 inches
water soluble colored pencil, watercolor on frosted acetate
2010
This back-bending figure gets fleshier from torso to head.  He looks at a penny while holding someting whispy in his hands.
Bending Dervish
Bartholomew Lynch
24 inches x 36 inches
egg tempera, pastel, conte on heavy-weight Rives/BFK
2009
Figure Study with Two Figures
Bartholomew Lynch
24 inches x 36 inches
colored pencil on heavy-weight cotton paper
1996
Figure Study with Red Back
Bartholomew Lynch
24 inches x 36 inches
pastel on heavy-weight cotton paper
1995
The Middle Oconee River swells against a damn viewed from behind a fence.  A diversion stream courses alongside and a road leads to small buildings and machinery
Middle Oconee Dam
Bartholomew Lynch
7 inches x 7 inches
oil on canvas
2010
Two Water Towers whose flattend, spherical bladders are raise approximately 100 feet off the ground, supported by four large, tubular legs and wire rigging.  The blue grey paint reflects the sunset
Athens Water Towers
Bartholomew Lynch
7 inches x 7 inches
oil on canvas
2010
A plein air painting of a bend in the Middle Oconee river looking south.  The river is swollen with muddy water from a very wet spring.
Middle Oconee Flood
Bartholomew Lynch
12 inches x 14 inches
oil paint on cotton canvas
2009
Outside Cortona
Bartholomew Lynch
17 inches x 11 inches
watercolor on heavy-weight watercolor paper
2009
View from a Mt. Ranier Hike
Bartholomew Lynch
11 inches x 17 inches
graphite, ink on lightweight cotton paper
2004
Hoppy
Bartholomew Lynch
17 inches x 11 inches
colored pencil on lightweight cotton paper
2011
192299
Bartholomew Lynch
17 inches x 11 inches
colored pencil on light-weight cotton paper
2011
Chadder Walker
Bartholomew Lynch
17 inches x 11 inches
colored pencil on light-weight cotton paper
2011
MC 91
Bartholomew Lynch
17 inches x 11 inches
colored pencil on light-weight cotton paper
2011
That Which I Have Seen
Bartholomew Lynch
17 inches x 11 inches
marker, ink, colored pencil on frosted acetate
2010
skeletal figure with arms outstretched slightly above the shoulder. Fits within the format of the page.
Landing Gear
Bartholomew Lynch
11 inches x 14 inches
graphite on smooth-tooth medium-weight cotton paper
2009
Orange short hair cat named Crancy scratching the porch upright support on the porch railing
Cat Scratch Fever
Bartholomew Lynch
8 inches x 8 inches
colored pencil, ink on frosted acetate
2009
A spray bottle, skull, keys, thread, needle, marble, letter A, and a jumble weave in and out of space with a horizontal plane implied.  Text floats in and out of legibility.
Make A Mark
Bartholomew Lynch
11 inches x 14 inches
graphite on medium-weight cotton
2009
An absorption cone, deep purplish blue inwardly radiating behind an open mouth-top teeth showing.
Dream Draw Recto
Bartholomew Lynch
9 inches x 7.5 inches
colored pencil on frosted acetate
2008
An absorption cone, deep purplish blue inwardly radiating behind an open mouth-top teeth showing.  More blue than recto
Dream Draw Verso
Bartholomew Lynch
9 inches x 7.5 inches
colored pencil on frosted acetate
2008
a naked man with a withered right foream points to the distance with his left hand while riding a green/blue wave with his torso above water.  DNA and undeclared strands fall from above.  The frame of the print turns into a woman.
Bicoaster
Bartholomew Lynch
10 inches x 7.5 inches
colored pencil, ink, graphite, monotype on tan light-weight laid cotton
2008
a skeletal robed man rides a dna strand wearing birkenstocks.  Main thrusts of easy diagonals intersect a soup of lines and forms
Biological Imp Recto
Bartholomew Lynch
9 inches x 7.5 inches
colored pencil, ink on frosted acetate
2008
a skeletal robed man rides a dna strand wearing birkenstocks.  Main thrusts of easy diagonals intersect a soup of lines and forms.  The chicken is on this side.
Biological Imp Verso
Bartholomew Lynch
9 inches x 7.5 inches
colored pencil, ink on frosted acetate
2008
pithy green with slight blue and pink divide in half with value. a gorilla stands guard at the bottom right
Chip Momma Off Recto
Bartholomew Lynch
10 inches x 7.5 inches
colored pencil, intaglio, monotype, ink on tan light-weight laid cotton
2008
The moon oscillates above the transition between the warrior of desire and reality - greens and browns with orange and blue peppered throughout.
Chip Momma Off Verso
Bartholomew Lynch
10 inches x 7.5 inches
colored pencil, intaglio, monotype, relief, ink on tan light-weight laid cotton
2008
Dhelia waits in the bottom right corner's entry way pressing close to the walls from te mayhem and pit to her left.  Her bridge folds to the frame, containing earth greens and browns and etherial blues - oranges heat the whole thing up a little.
Dhelia Bridge(tt)
Bartholomew Lynch
10 inches x 7.5 inches
colored pencil, graphite, intaglio, monotype, relief, ink on tan light-weight laid cotton
2008
segmented and aborted
Embryo
Bartholomew Lynch
10 inches x 7.5 inches
colored pencil, monotype, ink on white light-weight cotton(?)
2008
9P says it all - but nothing as well.  Two heads connect at shoulders looking opposite directions.  One, facing land looks askance toward the viewr, the other facing the sea looks down and away.
One Love Validator or Violator
Bartholomew Lynch
10 inches x 7.5 inches
ink on frosted acetate
2008
A chicken-like horse trots under the cover of the bottom left corner.  Pac-Man floats at the top in blue and rust colored soup.  A flying v forms the overall composition.
Horse Ridden In On
Bartholomew Lynch
9 inches x 7.5 inches
ink, colored pencil on frosted acetate
2008
This soupy mix of black and white has water below, sky above, larvae and faces in the middle.
Journey Land
Bartholomew Lynch
9 inches x 7.5 inches
ink on frosted acetate
2008
A tap root divides top and bottom, spearing down into tall cavities.  Two views of a fly sit above with slight red, blue, and white sprinkled above the ink.
Larvae Recto
Bartholomew Lynch
9 inches x 7.5 inches
ink, colored pencil on frosted acetate
2008
Compositionally weighted to the right with a pronounced vertical line left of center.  Some face emerge in the ink lines supported with brush and blood colored marker.
Larvae Verso
Bartholomew Lynch
9 inches x 7.5 inches
ink, colored pencil, marker on frosted acetate
2008
A man facing away in the bottom left hand corner steadies his aim inside a flooded room with an exit to the right and a doorway up the middle.  The keystone in the doorway is a blue colored skull with red sockets
No Monkey Shines
Bartholomew Lynch
10 inches x 7.5 inches
ink, colored pencil, monoprint on light-weight tan laid cotton
2008
A bent toothed kid screams at the bottom while a smiling cowled face hovers nearby.  A small door and silhouette are at the ground floor of a greenish whirling maze interior.
Red Card
Bartholomew Lynch
9 inches x 7.5 inches
ink, colored pencil, monotype on tan light-weight laid cotton
2008
Viewed as a table-top video game, a toothy Ms. Pac-Man heads toward a power pill while a small figure looks on in the bottom right corner
Savage Witchery Doo
Bartholomew Lynch
9 inches x 7.5 inches
ink, colored pencil, xerox on bond
2008
Scenes are merged together.  One, a tall man looks from within through a doorway to the light.  Another shows a man in a diaper appealing to a female.  And another is an outdoor scene with a tree and a village in a hillside.
Snap Tooth Logic
Bartholomew Lynch
10 inches x 7.5 inches
ink, colored pencil, monotype on tan light-weight laid cotton
2008
Shown from above, one arm holds a drink, the other a joystic, controlling the action of a razor sharp Ms. Pac-Mangliding throuh a green world of interior architecture with a horizon.
Table Top
Bartholomew Lynch
10 inches x 7.5 inches
ink, colored pencil, monotype, graphite on tan light-weight laid cotton
2008
A face in the bottom right projects a serpent leftward.  Greens, browns, blues and oranges pattern tree and foliage above.  Large ink strokes lay on top of it all, only slight relating to the rest of the image
Trail Away
Bartholomew Lynch
10 inches x 7.5 inches
ink, colored pencil, monotype, graphite on tan light-weight laid cotton
2008
Two heads come from one neck and the same pair of shoulders.  Mountains and water are in the background.
9P
Bartholomew Lynch
9 inches x 7.5 inches
ink on frosted acetate
2008
A head shown in a three-quarter view with a look of questioning the viewer
Do What?!
Bartholomew Lynch
7.5 inches x 9 inches
ink, colored pencil on frosted acetate
2008
Swooping dark lines go top to bottom with a hole at the top
Glamour of Want Recto
Bartholomew Lynch
9 inches x 7.5 inches
ink, colored pencil on frosted acetate
2008
Swooping dark lines go top to bottom with a hole at the bottom
Glamour of Want Verso
Bartholomew Lynch
9 inches x 7.5 inches
ink, colored pencil on frosted acetate
2008
Viewed from above, a hand reaches up to hold a blue rod.
Grasp Again Recto
Bartholomew Lynch
4 inches x 7.5 inches
ink, colored pencil on frosted acetate
2008
Viewed from above, a hand reaches up to hold a blue rod.
Grasp Again Verso
Bartholomew Lynch
4 inches x 7.5 inches
ink, colored pencil on frosted acetate
2008
There's an eyeball and a cave, and some other stuff
Kindergarten Art Babies
Bartholomew Lynch
7.5 inches x 4 inches
ink on frosted acetate
2008
There's an eyeball and a cave, and some other stuff.  This one darkens a bit
Miss Disbeliever
Bartholomew Lynch
7.5 inches x 4 inches
ink on frosted acetate
2008
A snake-like creature has a chicken's combs.
Snake Slip
Bartholomew Lynch
7.5 inches x 4 inches
ink on frosted acetate
2008
Get My Nows Together
Bartholomew Lynch
11 inches x 17 inches
graphite on light-weight cotton paper
2008
Singing Bowl
Bartholomew Lynch
10 inches x 8 inches
water soluble colored pencil on frosted acetate
2008
Flat mosaic of lines slightly gradiating lighter left to right
Cars and Trains
Bartholomew Lynch
10 inches x 7.5 inches
colored pencil on light-weight laid cotton
2007
two seated ladies talk to each other and smoke cigaretts and a male seated slightly closer joins the group.  All viewed from the seating area, behind the bar patrons.
Banders
Bartholomew Lynch
11 inches x 14 inches
graphite, ink on smooth-tooth light-weight cotton paper
2000
Metarie House
Bartholomew Lynch
36 inches x 24 inches
watercolor on heavy-weight watercolor paper
1995
A view of UGA steam Pipes south of the steam plant in a wooded area just above physical plant
Steam Pipes
Bartholomew Lynch
8 inches x 10 inches
Gelatin Silver Print on Ilford MG4 glossy
2008
A view of UGA steam plants main chimney.
Steam Plant Main Chimney
Bartholomew Lynch
8 inches x 10 inches
Gelatin Silver Print on Ilford MG4 glossy
2008
Broom Handle at Cedar Street Roof
Bartholomew Lynch
10 inches x 8 inches
gelatin silver print on Ilford MG4 glossy
2008
Clay Pair
Bartholomew Lynch
10 inches x 8 inches
gelatin silver print on Ilford MG4 glossy
2008
Push Broom Bristles
Bartholomew Lynch
10 inches x 8 inches
gelatin silver print on Ilford MG4 glossy
2008
3 Blow
Bartholomew Lynch
18 inches x 24 inches
#4 litho crayon on ball ground litho plate
2009
All Together
Bartholomew Lynch
18 inches x 24 inches
#4 litho crayon on ball ground litho plate
2009
Basketball
Bartholomew Lynch
18 inches x 24 inches
#4 litho crayon on ball ground litho plate
2009
Dot Eater
Bartholomew Lynch
18 inches x 24 inches
#4 litho crayon on ball ground litho plate
2009
Down the Hatch
Bartholomew Lynch
18 inches x 24 inches
#4 litho crayon on ball ground litho plate
2009
Egg Teeth
Bartholomew Lynch
18 inches x 24 inches
#4 litho crayon on ball ground litho plate
2009
Face Gate
Bartholomew Lynch
18 inches x 24 inches
#4 litho crayon on ball ground litho plate
2009
Solstice Feast
Bartholomew Lynch
18 inches x 24 inches
#4 litho crayon on ball ground litho plate
2009
Title
Bartholomew Lynch
18 inches x 24 inches
#4 litho crayon on ball ground litho plate
2009
Walk Away
Bartholomew Lynch
18 inches x 24 inches
#4 litho crayon on ball ground litho plate
2009